Aldo van Eyck’s playgrounds are the subject of great interest and topicality with a growing number
of publications and research in recent years that delve into this rich scenario from a multiplicity
of approaches. In this article, we aim to address the epistemological aspect of his proposal, the nature of his play spaces and elements as a vehicle of mediation between children and the world, between reality and the imaginary. To this end, we will investigate the author’s creative search and his link with childhood as a primordial scenario. In this research, we will ask ourselves about the intimate connection between play, childhood, and the meaning of art, and we will do so in the light of a key text in art theory: “Meditations On A Hobby Horse” by Ernst H. Gombrich. In this way, we will look back and immerse ourselves, through the world of childhood and art, in the archaeology of lost play.
Eslava Cabanellas, C. (2021). Archaeology of Play: Alphabet of the Imaginary in Aldo van Eyck. Revista De Arquitectura, 26(40), pp. 16–25. https://doi.org/10.5354/0719-5427.2021.64118
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